17 August 2014, ThreeWeeks Edinburgh Review
‘Theatre on a long thin wire’ involves nothing but a chair, a CD player and a mysterious voice through a phone. Total audience participation is expected as individuals take it in turn to answer the phone and echo the voice on the line. Set in a loft covered in gas taps and pipes, it initially evokes the feeling that we’ve been transported to the scene of a horror film, then, as things progress, it starts to feel like a potentially dodgy psychological experiment as we willingly follow the instructions of a disembodied voice. This is hardly high octane excitement, but even the most cynical of participants will start to feel involved in the subtly built up, if predictable, drama.