Printed in Buzz Magazine 27 Nov 2016, page 50.
Emmanuelle Pagano’s award winning Trysting is a strange sort of novel. There’s no plot, no characters, and even the fact it is fiction is easily forgotten. More than anything it resembles scattered confessions which Pagano has simply collected and delicately placed on the page. But in fact, she has actually crafted the voices of her lovers in short, anonymous fragments, and it is they who detail the many varied and often strange forms that love takes.
In Trysting, Pagano insists on brevity. Of the over 100 fragments, some are as long as two pages, while others are epigrammatic. Love is made up of small moments, and detailing these minute instances Pagano manages to illustrate love in a way that no academic treatise could ever do. Whether it’s the lover thinking about the ‘line of hair’ between his partner’s pubic and naval, or another tasked with clearing out the rubbish left behind the house after her husband has gone, each vignette seems to reveals some deep emotional truth, even when what it has said is not quite clear. Trysting may be constrained by its form, but it does repay its subject.
Delicate and sensitive, the work rebounds with incisive observations that are uncannily accurate (‘Life with him is so easy and sweet and joyful. I have a feeling he’s cheating’). Pagano is a compassionate recorder of the everyday expression of love, but above all objective. This is no simply celebration of love: the animalistic nature of love is all there, as is the disappointment that is inevitable when we fall in love, watch it stagnate and then collapse, without a trace of ever existing.
Whether what will survive of us is love, Trysting illuminates what that love could be: exquisite agony.
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