13 August 2014, ThreeWeeks Edinburgh Review
‘The Duck Pond’ may sound like a cut price version of ‘Swan Lake’ indeed, the performers acknowledge this by making several jokes about not paying royalties – yet it is anything but. This production is a clever, playful retelling of the ‘Swan Lake’ story, which uses dance, physical theatre and intelligent comedy to convey the well known tale of love and tragedy. This is an immaculate piece; the only thing I can think of to compare it to is the perfect circus show. Not a toe is out of place, the timing is perfect, the audience participation is well considered, the acting is superb and, above all, despite the humour, it is still moving. In my opinion, flawless.
4 October 2016, Buzz Cardiff Online Features
Clear Cut has always worked to showcase the very best of avant-garde performance art in the UK and developing work that is genuinely groundbreaking and resolutely cutting edge. Having produced dance, music and theatre as well as film, visual art and spoken art, Clear Cut are now looking to ramp it up in their new home base. In their brand new initiative, ‘Clear Cut-Out’, SVJdance and CardiffMADE have taken the platform out there and put them into residence at Cardiff’s renowned music venue, the Globe.
With the move comes a special performance on the 6th of this month, with a line up which bends, breaks and straddles genres and promises to challenge their audience in completely new ways. You’ll witness Will Salter’s phonetic performance which hearkens back to the days of Dada, with a work that apparently straddles literature and music. Going even further back, Choregrams – an interactive dance and music collaboration – takes the baroque’s obsession with ornamentation and grandeur to produce an intricate web of dance, music and technology.
Perhaps the most daring new ventures are those performances which attempt to give form to the intangible. In ‘Poems from the Inside’ Rosie Bufton explores the experience of incarceration in prisons, both external and self-inflicted, through the written word. Gareth Chambers, a dancer, in collaboration with film maker Aaron Cooper, will deconstruct identity itself through an examination of the body. In short, they are back, bigger and bolder than before.